The philosophy department here in Heidelberg is hosting at the moment Slavoj Žižek. Professor Žižek (as his Wikipedia article will tell you) “is a Slovenian sociologist, philosopher, and cultural critic”. In anticipation of his coming I watched this documentary film in order to familiarize myself with the kind of thinker he is and the kind of things he thinks about. He is one of those rockstar philosophers who has people following him around and asking him to sign their books. He is a cult favorite because he doesn’t limit his philosophizing to what is accepted as “philosophy” within the academic realm – some of which he includes that is “outside” of academia is film (although this is gaining more and more popularity), cyberspace and science fiction. In the film he makes reference to how he is a little annoyed to be thought of as a “cultural critic” and is a little disappointed that he is mostly asked to talk on this subject. He also bemoans in the film that his more serious philosophical works have been overlooked because they do not fit the image the world has of him. He himself describes this image (again in the film) as the fuzzy bearded man who tells jokes; such that his publisher gives him a hard time if his newest book doesn’t promise, from the title, laughter.
This evening he gave a talk on a very serious academic subject, especially so in Germany – namely, Hegel. Zizek himself said how happy he was to be in the presence of serious philosophers as he was flanked by Professor Halfwassen and Dr. Gabriel of Heidelberg. I imagine he was also happy to be giving a talk on Hegel in front of some pretty serious students/professors of Hegel. He presented his ideas of Hegel in an untraditional manner, a manner that made him so popular, by pulling examples from Hitchcock’s movies Vertigo and Psycho. He also used an article from the Weekly World News about the “discovery” of more commandments and so on and so on (weekly world news is one of those joke newspapers that claims to have reports on contact with aliens/world’s fattest baby/batboy/etc).
Now that all that introductory crap is out of the way I think I can write about my impressions. I liked it. This man speaks many languages but it was hard, at times, to understand his German. He apologized for his German many times at the talk but he was able to elucidate most of his points, if not gracefully. I’m not complaining though, I would be too frightened to stand in front of so many people and speak in German and German is only my 2nd language whereas it is most likely the 4th or 5th for Zizek. His use of examples from Hitchcock’s films, Weekly World News, Kafka, Hemmingway, etc. (he was anything but short of examples) were slightly more than necessary. Sifting the idea through one or two other bodies of work would have been enough to get his point across but his examples were not doing the work he wanted them to do. It was as if the examples themselves progressed in complexity as he was not able to completely say what he wanted to in his previous jaunt. I’ll follow his lead, however, and use his example from Psycho to explain away what I got out of the talk.
When a story is created or a thesis “thought-out” it brings with it, its opposite. Hitchcock’s film Psycho has a man stab a woman while she is in the shower. Because we are given this particular scenario it is made possible to think of its opposite. To imagine the film where the woman is left harmless in the shower is to imagine something dependent on the original story but at the same time its antithesis (that is if we are to take this murder as the climax or defining point of the film). This example (which I dumbed down because I didn’t remember everything he said – I think the point of the example was preserved though) and the many others he used were all leading up to a point concerning Hegel. The juicy conclusion is that Hegel’s philosophy, in its system building, made possible the theorizing that would later attack it – i.e.; Hegelianism made anti-Hegelianism. Or, to go back to the topic of the discussion, we could say that Hegel’s “reconciliation” of philosophy and religion, or science and God, was a decisive point in the “death” of God and split between science and religion. Once Hegel’s oeuvre exists as such one has the freedom to take and leave the theories/ideas as one chooses. These ideas and conclusions can then be used to challenge other ideas and conclusions that belong to the same longer train of thought. Such was supposedly done with Hegel’s phenomenology, the part his followers liked, for the purpose of attacking not only his theology but theology as such. If the film Psycho is analogous to Hegel’s oeuvre than changing the climax of the film is analogous to changing the climax of Hegel’s philosophy; namely, the reconciliation of science and religion. In both cases, Hegel and Psycho, the main body of the work stays the same but is “used” against itself to form a new conclusion. Such was done with Hegel’s philosophy in the nineteenth century. What’s important is clarifying exactly what it is in Hegel’s philosophy that lead to this turn and how this what influenced and continues to influence philosophy. Zizek referred to “it” at the start of the talk as a ‘new way of thinking’ but exactly what “it” is will be discussed tomorrow at a philosophy roundtable in the department.
This post was created mostly so I could think about what was said at the talk and to try and exercise these thoughts so I’m prepared for the much smaller and more open discussion that will happen tomorrow morning. After tomorrow I’ll finish writing my own impressions and try to finish the story Zizek was creating as he himself promised to finish it tomorrow.
So I scored a job. As far as I know (how far do I know?) I will be helping Archaeologists dig for things that are apparently buried. I talked with the boss today and was told to wear pants that can get dirty, to bring a rain jacket, that I’ll eventually need health insurance “certified” boots and that I needed to bring food because the work is in the middle of nowhere. I’m going to be picked up the train station and then delivered to the top secret dig site. I start on Friday and am expecting Indiana Jones-esque adventures and mishaps. The only problem was that the diggers in the Indiana Jones’ movies were always the first ones to have their soul sucked out, to be bitten by a snake or otherwise seemed prone to fall from high places. As soon as we find something I’m going to yell, “it belongs in a museum!” and run with the item through the fields as fast as I can. While running my coworkers will (hopefully) be chasing me with spears and shouting…
here because so many of the tools of understanding are lost – i.e.; body language). My writing is also not good enough to have to write at whatever job I might get.
I’m currently reading Stephen Houlgate’s An Introduction to Hegel: Freedom, Truth and History. I have to keep reminding myself that reading about Hegel is time well spent, even if it what I read is suspicious. I should, in all likelihood, be trying to read him in German but I decided to give myself a break and read something in English. And although this is an “Introduction” Houlgate goes in depth on the important aspects of Hegel’s philosophy. Houlgate writes like the devote Hegelian he is (a quick peek at his 
